BODY CHAIN FOR ALL TYPES

Performance
2hours 22 minutes 22 secondes

2023 – Maison des Arts – Festival Trouble #12 – Brussels

Intrinsically inspired by the Muharram ceremony, the M-A Collective presents a poignant collective ritual that delves into the heart of tradition. The Mourning of Muharram, a solemn commemoration of the martyrdom of Imam Hussain ibn Ali, resonates through centuries. This revered Muslim observance, marked by the Mourning of Muharram ceremony, reverently honors Imam Hussain’s sacrifice during the Battle of Karbala in 680 AD. The ritual traditionally involves self-flagellation –

a visceral practice wherein individuals whip their bodies with chains or strike themselves with knives and sharp implements, symbolizing the anguish and lamentation for Imam Hussein’s tragic loss. In a bold and evocative performance, Iranian women from the M-A Collective harness
the power of self-flagellation to not only critique established customs but also to shed light on the profound absence of the female form in these sacred observances. For a duration of precisely two hours, twenty-two minutes, and twenty-two seconds, the artists will meticulously craft chains, known as “Zanjir,” and meticulously assemble costumes in preparation for a collective ritual of immense significance.This ritual transcends the boundaries of time and space, merging historical resonance with contemporary artistry. The performance bears witness to the striking imprint left upon their bodies by the chains, tangible symbols of the spiritual and emotional weight carried in the name of tradition.

Furthermore, the auditory experience intertwined with the artists’ deliberate actions lends a sonic dimension to the poignant visual narrative, creating a multisensory journey. The M-A Collective’s artistic endeavor reinterprets a venerable ritual, inviting introspection and dialogues surrounding gender, custom, and cultural evolution. By engaging with the act of self-flagellation, these women artistically challenge the norm, offering a profound commentary on the intricate interplay between tradition and the absence of the female voice.

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