2023 – Video Performance – research day of La Cambre « Art and anthropology » – Brussels
“King of Martyrs” stands as a profound exploration of the ceremonies within Iran during month of Moharram. This captivating performance brings to the forefront the intricate rituals, male- centric gestures, and the solemn practice of self-mutilation that define this significant cultural event. However, the performance transcends tradition by spotlighting the obscured presence of women in these rituals, initiating a crucial dialogue about gender dynamics.
Through a blend of evocative visuals, immersive storytelling, and artistic expression, “King of Martyrs” peels back the layers of these ceremonies, inviting audiences to contemplate the nuances of gender within this context. The performance challenges historical norms, shedding light on the historical prevalence of male participation and self-mutilation, while simultaneously addressing the underrepresentation of women in this narrative.
This Performance emerges as a poignant mirror reflecting both tradition and the societal currents that shape it. Beyond its captivating aesthetics, the performance catalyzes conversations and encourages introspection, offering a powerful platform for change. This exploration of gender and tradition prompts viewers to engage in critical discourse, pondering the broader implications of these practices on the cultural fabric.
With its spotlight on Moharram ceremonies, “King of Martyrs” delves beyond the surface to reveal layers of history, belief, and evolving gender roles. It invites us to reflect upon the malleability
of traditions and the importance of inclusivity within cultural expressions. As a testament to the transformative power of art, “King of Martyrs” encapsulates the capacity of creative endeavors to challenge perspectives, foster empathy, and illuminate the path towards a more equitable society.
